Out and about is Madeon, with Icarus. It's bold, for the cold, to warm up the senses and eases the tense, dense nature of the mature audiences out there steering clear of the boredom scene and paying full focus to the hocus-pocus of a community of humility in a facility of light paces and bright faces.
R3hab present this remix of Sorry For Partyrocking. LMFAO has the talent to explode an anthem track and R3hab has the talent to give the track a lime twist that refreshes the eardrum.
Need I say more than wow and more wow, and no I do not mean World of Warcraft. I mean Flosstradamus. I remember seeing these guys back in 2008 (the bloody beetroots opened for them) at a small hotel party at the Standard in downtown LA. See Video clip below.
They've been producers, however have never produced anything like this. Best of all they gave us a free download!
Who's that yelling? Oh, it is just the heavy synths in Owl Vision's latest, Antichrist. Synths can drive a song to its limits of aural pleasure just from the subtle audio tones it holds. There is a huge margin between the sounds of digital synths and analog synths. Though technology makes convenience, it also destructs the past and the use of analog audio for synths are rare these days. We should bring it back. Turn your back on the stock markets, you 99 Percenters, and riot for Analog, Part II.
Here's an original by Jack Beats, called Make The People. And here's a heads-up: Jack Beats and company will be tossing out free music on SoundCloud of some of their unreleased tracks.
Throwback mixes indulge the new and the old generations. Those who grew up in the 80s can appreciate these historical grooves with fond memories while the contemporary yutes try to appreciate what they used to have compared to the white noise that plagues the airwaves today. Leave it to Sinden and Company to produce, not a new sound, but a more vibrant sound we seldom see anymore.
To lure listeners to your creations, it's good to have an interesting intro because that's the first element of any track the ear will hear. With electronic music over-saturating the media, it's difficult to be creative. Everything seems to have been done before. And software is cheap to attain and simple to master. That's why we use our imaginative minds, our ambitious wits and our hard working efforts to create something that will at least sound ear-pleasing, if not unique and, a rare word that's used today, new.
When we hear something like Le Castle Vania's track, The Light, we usually associate images of colored spotlights that dance to the beat, a mob of trendsetters moving to the music's cues, beautiful girls making rounds collecting drinks from amateur fellows. Hmm. Very closed minded. We should broaden our imaginations to associate more images to such music. Maybe process zebra-striped and/or leopard-printed flags waving in the wind. How about a block of concrete that partially sits atop ketchup packets. Or maybe, the hottest girl in North America, who has hands for feet, and feet for hands. Werd!
A block of Betatraxx. Ready for round two. Betatraxx reconfigures We Are Your Friends, which Justice reconfigures Simian's Never Be Alone. A dream within a dream...I mean, a remix within a remix. Cue suspenseful music here:
